The
Gilded Age at the Museum
of the City of New York
Class Conflict and Cooperation
Rags and Riches in New
York City: Exploration
of the Rockefeller Rooms
and the Lower East Side
Tenements
Written By: Sari Rosenberg,
Margaret Fay, Sue Schaller,
Kathleen Reddington,
and Lainie Leber
Pre-visit
Class Lesson and Materials
Teacher
will show a clip of
MTV Cribs and tell the
students to write down
one object that is highlighted
during the celebrity
house tour. (Note: If
video clip is not available,
teacher will elicit
responses by merely
asking the students
about the television
show and the prized
possessions flaunted
by the featured celebrities)
- Students will be asked
to share their selected
objects with the class.
- Students will be asked
how the objects highlighted
in the star’s
“crib” make
a particular statement
about what we value
in our culture today.
Explain overview of
the Museum of the City
of New York assignment.
Discuss students’
background knowledge
about the Gilded Age,
the Rockefeller family,
life in the tenements,
and the role of Jacob
Riis in spotlighting
the plight of the urban
poor.
- Give out one page
Jacob Riis and Rockefeller
biographies and have
students make a note
of new information learned
from the readings.
Museum
Lesson Plan
Essential
Question:
How do social classes affect
people’s roles, actions
and perceptions in society?
Guiding Questions:
•
Why was the disparity of wealth
between the rich and the poor
such an issue during the Gilded
Age?• To what extent
do contrasting social classes
both conflict and cooperate
in society?
• How was it possible
for these vastly different
lifestyles to coexist in the
same city?
• How can living environments
/ material culture illustrate
the differences between social
classes?
• How did the reformers
of the progressive era attempt
to alleviate both the conflict
and the interdependence between
wealthy and impoverished Americans?
• Do the rich have a
responsibility to the poor?
• What obligation does
an employer have to his/her
employees?
• Should workers be
allowed to demand better working
conditions?
• How does supply and
demand apply to class conflict?
• What, if anything,
has changed between the wealthy
and poor socio-economic classes
since the Gilded Age?
Pre-knowledge / Where Does
It Fall in the Unit?
While teaching a unit on the
Gilded Age, we suggest that
you do the above activity
at the beginning of the unit
as a comprehensive and hands-on
introduction to the time period.
For the first day of the unit,
provide students with the
overview and the pre-visit
materials suggested above.
On the second day, students
will visit the Museum of the
City of New York and participate
in the museum experience outlined
below. Objectives:
Content:
1. Vulnerability and struggles
of the poor
2. Wealth and excesses of
the rich
3. Analyzing the disparity
of wealth in New York City
4. Effects of rapid economic
expansion and laissez faire
government on society
5. Lack of governmental
restrictions on monopolists
6. Showing the interdependence
of the two disparate groups
7. Role of the press in
American social issues
8. Understanding the urban
experience in the late nineteenth
century Correlation to New
York
State
Standards:
More Information about NYS
Standards at www.nysed.gov
Standard
1:
The study of New York State
and United States history
requires an analysis of
the development of American
culture, its diversity and
multicultural context, and
the
ways people are unified
by many values, practices,
and traditions. Students
will * demonstrate this
by:
• analyzing the development
of American culture; explaining
how ideas, values, beliefs,
and traditions have changed
over time and how they influence
all Americans
Standard
2:
Important ideas, social
and cultural values, beliefs,
and traditions from New
York State and United States
history illustrate the connections
and interactions of people
and events across time and
from a variety of perspectives..
Students will demonstrate
this by:
• Comparing and contrasting
the experiences of different
groups in the United States
for periodizing the history
of New York State and the
United States
• Develop and test
hypotheses about important
events, eras, or issues
in New York State and United
States history, setting
clear and valid criteria
for judging the importance
and significance of these
events, eras, or issues
• Discuss several
schemes for periodizing
the history of New York
State and the United States
Standard
3:
Study about the major social,
political, economic, cultural,
and religious developments
in New York State and United
States history involves
learning about the important
roles and contributions
of individuals and groups.
Performance Indicators--Students
will:
• Compare and contrast
the experiences of different
ethnic, national, and religious
groups, including Native
American Indians, in the
United States, explaining
their contributions to American
society and culture
• Research and analyze
the major themes and developments
in New York State and United
States history (e.g., colonization
and settlement; Revolution
and New National Period;
immigration; expansion and
reform era; Civil War and
Reconstruction; The American
labor movement; Great Depression;
World Wars; contemporary
United States)
• Prepare essays and
oral reports about the important
social, political, economic,
scientific, technological,
and cultural developments,
issues, and events from
New York State and United
States history
Standard
4:
The skills of historical
analysis include the ability
to: explain the significance
of historical evidence;
weigh the importance, reliability,
and validity of evidence;
understand the concept of
multiple causation; understand
the importance of changing
and competing interpretations
of different historical
developments.
Performance
Indicators--Students will:
• Analyze historical
narratives about key events
in New York State and United
States history to identify
the facts and evaluate the
authors’ perspectives
• Consider different
historians’ analyses
of the same event or development
in United States history
to understand how different
viewpoints and/or frames
of reference influence historical
interpretations
• Evaluate the validity
and credibility of historical
interpretations of important
events or issues in New
York State or United States
history, revising these
interpretations as new information
is learned and other interpretations
are developed. (Adapted
from National Standards
for United States History)
Motivation:
1. Share the thought provoking
quote with the students
(10 minutes):
“What I hear, I forget;
What I see, I remember;
What I do, I understand”
- Confucius
Evaluate what Confucius
means by this quotation.
Do you agree with him? Explain.
2. Relate quotation with
the museum visit for the
students
Explain that the students
will be actively learning
today while exploring the
Rockefeller rooms and Jacob
Riis photographs.
In the Rockefeller Rooms,
students will give a guided
tour pretending that they
have entered a time machine
and they are in an episode
of “MTV Cribs”
with the Rockefellers in
the late nineteenth century.
3. Modeling - - Period Gallery
– Targeted visit (15
minutes)
• The goal is to model
the thought process of the
guided questions.
• Ask students to
respond to the follow questions:
o What do you see in the
room?
o What does it tell you
about the people who live
there?
• Visit Flagler’s
1906 alcove. Teacher or
docent will pretend to be
Henry Flagler and use the
MTV Cribs format in order
to demonstrate the assignment
to the students.
ACTIVITY:
PART ONE:
The
Rockefeller Rooms (60 minutes
total with 45 minutes to
prepare and 15 minutes to
present)
(Worksheet
provided to students- see
below)
1. Students will be split
into 5 groups and each group
will create an MTV Crib
style tour:
a. Portraits of
John D. Rockefeller and
his wife, Laura Spelman
Rockefeller, stock certificate
and sitting room
b. Bedroom / and
photos immediately adjacent
c. Back view of
the bedroom by China plates
d. Photographs of
the Rockefeller mansion,
on wall directly across
from the
bedroom.
2. Students will present
their tour to the class
by selecting one member
to act as the character.
(Suggestion: Videotape the
presentation so that you
can share with the students
who were not able to attend
the trip. The videotaping
will further recreate the
humorous anachronistic MTV
style in the late nineteenth
century rooms)
3. Students will fill out
a rubric so they can evaluate
each presentation and learn
from their peers.
PART
TWO:
The Mobile Jacob Riis Display
in the Museum Classroom
(45 minutes total with 35
minutes preparation and
10 minutes to present)
(Worksheet
provided to students –
see below)
1. Each group will select
4-5 Jacob Riis photos and
develop a narrative about
the living environment and
conditions. This will be
done from the perspective
of the person in the photo
or of an observer/journalist.
2. Students will present
their tour to the class
by selecting one member
to act as the character.
3. Students will fill out
a rubric so they can evaluate
each presentation and learn
from their peers. Summation
/ Closure
(30
minutes)
Discussion
comparing the two worlds
that we have observed and
evaluated based on the following
pivotal questions:
•
How are these two groups
interdependent?
• What is their relationship
to one another?
• To what extent should
society be responsible for
helping the poor?
• Should the wealthy
take on the responsibility
for assisting people in
need?
Return to the beginning
quote: “What I hear
I forget, What I see I remember,
What I do I understand”
- Confucius
Assessment
Assign
an essay to the students
based on one or a combination
of the following topics:
Review of the presentations
and what you learned from
the experience at the museum.
(Students can use their
rubrics to complete this
assignment)
Assess what you have learned
about the Gilded Age by
participating in the museum
lesson.
Write a series of fictitious
letters between a member
of the upper class and a
member of the lower class,
perhaps an employer and
an employee, in the late
nineteenth century based
on the different urban experiences
you explored today. Another
option is to have a tourist
write a letter home describing
the extremes he/she had
seen in NYC.
How
would you relate the theme
of “Rags and Riches”
to New York City society
today? Is there still a
noticeable disparity of
wealth? If you had to select
four key images in New York
City to illustrate this
theme what would you choose
to present?
Based on your experience
of the two socio-economic
groups during the Gilded
Age, discuss the following:
Do the rich have a responsibility
to the poor? What obligation
does an employer have to
his/her employees? Should
workers be allowed to demand
better working conditions?
How does supply and demand
fit into this picture?
What, if anything, has changed
since the Gilded Age? Are
there conditions today that
reflect this conflict between
the rich and poor?
Supporting
Worksheets
Flagler Room Script
My name is Harry Harkness
Flagler and this is my crib.
As you can see by looking
around my home, I live a
very comfortable life. My
father, Henry Morrison Flagler,
used to be involved in a
very successful business
called the Standard Oil
Company. I understand that
your are going to see the
home of his former business
partner John D. Rockefeller
a little later.
Actually, compared to my
house, the Rockefeller home
is quite plain, too conservative
if you ask me ! My drawing
room, on the other hand,
really gets your attention.
From the carpet on the floor
to the elaborately decorated
ceiling, my drawing room
signifies wealth and power
to others. The trim throughout
the room lets you know that
I can afford to cover my
home in gold. The miniature
portraits that are on display
on the right are all valuable
collector’s items.
A servant broke one of those
delicate frames when she
was cleaning last month
and I sent her packing.
You have to keep the servants
in their place you know.
Back to my lovely home.
The painting above the mantelpiece
is done in a classical style
and it is hanging there
to let you know what good
taste I have. You see, a
drawing room is a very formal
space, one that is used
with visitors. You always
want it to give the best
possible impression. Everything
is so ornate because it
lets visitors (even time
travelers) know how important
I am. Among my associates
wealth and power are the
only things that matter.
Good heavens look at the
time. I have an appointment.
The maid will see you out.
John
D. Rockefeller, (1839-1937)
John D. Rockefeller, creator
of the oil industry that
made him one of the richest
men in America, was born
in Richford, New York on
July 8, 1839 the son of
a “pitch man”
who sold medical treatments
for $25. His first job,
as a bookkeeper at the age
of 16, gave him the opportunity
to analyze the financial
structure of business, and
his aggressiveness in collecting
overdue accounts was an
early indicator of the tenacity
he was to show in later
years. Just before his 20th
birthday he went into business
for himself and quadrupled
his profits in one year.
His aggressive pursuit of
clients and expansion of
the merchant business created
more successes, but he realized
that the merchant industry
would not create the opportunities
that he wanted.
The oil boom that began
in northwestern Pennsylvania
was to be Rockefeller’s
chance to become one of
the giants of industry through
the use of refining techniques
and transportation. By 1868,
Rockefeller joined Andrews
and Flagler, and the group
created the largest refinery
in the world. These men
understood that the only
way to continue to have
the consistent profits was
to make the business as
large as possible and utilize
all of their waste products.
In 1870, the Standard Oil
Company of Ohio was organized.
Rockefeller developed the
concept of a trust. Companies
acquired by the main company
could be held in trust so
that the perception was
that there were many independent
companies, but all were
actually controlled and
regulated by a group of
trustees. By 1882, Standard
Oil controlled, through
trusts, 77 oil companies
which produced 90%of all
refined oil in the US.,
and as a result Rockefeller
was able to control the
supply and price of oil
across the US. Although
he defended the technique,
stating that he could give
a consistent price to suppliers
who would not have fluctuations
of oil based on scarcity
and overproduction, eventually
the US Congress, with much
prodding, enacting two important
laws to reduce this monopolistic
control: The Interstate
Commerce Act of 1887 and
the Sherman Anti-Trust Act.
These rulings, however,
did not dissipate the tremendous
wealth that Rockefeller
had already acquired…he
was one of the richest men
in America. And it was shortly
after this legislation that
he began to consider what
contributions he could make
to American society.
Although perceived as a
tough competitor, and part
of a group which came to
be called “robber
barons”, Rockefeller
established a Foundation
in 1913 (The Rockefeller
Foundation), which was initially
controlled by his son, John
Jr. The Foundation has been
the source of tremendous
philanthropic assistance
in America for generations.
Written by: Margaret Fay
Sources
Used:
• www.pbs.org
• Derrick Murphy,
Kathyrn Cooper, Mark Waldron,
US 1776-1992,Collins Educational:
London and England 2001
Jacob
Riis (1849-1914)
In the introduction to How
the Other Half Lives, Jacob
Riis wrote:
"Long ago it was said
that 'one half of the world
does not know how the other
half lives.' That was true
then. It did not know because
it did not care. The half
that was on top cared little
for the struggles, and less
for the fate, of those who
were underneath, so long
as it was able to hold them
there and keep its own seat."
Jacob Riis was a famous
“muckraker”
journalist who inspired
an urban reform movement
after exposing the plight
of the late nineteenth century
urban poor living in New
York City tenements. Riis
experienced similar hardships
to the subjects of his stories
and photographs when he
first immigrated to the
United States from Denmark
in 1870. Unable to find
work, Riis was often forced
to sleep at the police station
lodging stations. Eventually
Riis became a journalist
gradually rising up to the
position of police reporter
for the New York Tribune
and then photo journalist
for the New York Evening
Sun.
Never forgetting his roots,
Riis decided to put his
journalistic skills and
the invention of flash powder
to good use in order to
illustrate and communicate
the plight of New York City’s
poor children, immigrants
and tenement dwellers to
the rest of the world. In
December of 1889, an account
of city life, illustrated
by photographs, appeared
in Scribner’s Magazine.
Due to the overwhelming
interest in the story, a
full-length version, How
the Other Half Lives, was
published. The stories and
photographs in this book
were a shocking portrayal
of the dreadful living conditions
of the urban poor. Theodore
Roosevelt, the New York
Police Commissioner at the
time, held Riis’ work
in such high esteem that
he called him “the
most useful citizen of New
York.”
Over the next twenty five
years, Riis continued to
write, photograph and lecture
about the problems of poverty
in America in order raise
awareness and to stir the
government to provide assistance.
He believed that the “poor
were the victims rather
than the makers of their
fate” and not to be
blamed and ignored for their
suffering. Riis’ commitment
to revealing “how
the other half lived”
was influential in forcing
the American government
to take heed of Americans
in need and provide assistance.
In turn, Riis also inspired
his fellow “muckraking”
journalists to heroically
expose other societal problems
in America.
Sources
Used:
Alland, Alexander, Jacob
Riis: Photographer and Citizen,
Millerton, New York, 1972.
Hales, Peter, Silver Cities:
The Photography of American
Urbanization, Philadelphia,
PA, 1984.
Riis, Jacob, How the Other
Half Lives, Dover Publications,
New York, 1971.
Student
Worksheet For the Rockefeller
Rooms
Museum of the City of New
York
Class Conflict During the
Gilded Age
You
have entered into a time
warp. It now the year 1910
and you are a member of
John D Rockefeller’s
family. MTV has contacted
you to give a tour of a
room in your home. For your
television interview you
will need to prepare by
writing down the following
information.
1. Introduction
of yourself
2. Briefly describe your
background and what your
life is like
3. Choose 4 artifacts/photos/paintings/pieces
of furniture and
• Briefly describe
each
• Explain its purpose
/ how you use it / or if
it is just purely decorative
Now that you have all this
information written down
– you need to choose
one member of the group
who will act as the tour
guide and present their
“crib” on video.
*Remember on video the presenter
must be in character.
1.Who are you?
2. What is your life like?
How do you earn a living?
What is your social life
like?
1. Selecting objects
a. Object #1 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?b.
b. Object
#2 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
c. Object #3 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
d. Object #4 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
Student
Worksheet for the Jacob
Riis Lower East Side Tenement
Photos
Museum of the City of New
York
Class Conflict During the
Gilded Age
For the Jacob Riis MTV Crib
Tour you have a choice of
two scenarios. You will
need to choice one perspective
and develop your tour/ presentation
in that character.
Scenario
#1 -You are a reporter
You have entered into a
time warp. It is now the
year 1910 and you are a
reporter. Jacob Riis’s
photos motivated you to
visit the Lower East Side
tenements to see these terrible
living conditions first
hand. You will be giving
a presentation at a conference
about what you saw. To prepare
for your presentation you
will need to
1. Explain the daily lives
of the tenement immigrants
you met
2. Briefly describe their
background
3. Pull information from
1 - 3 photos illustrating
their impoverish life
4. Assess their situation
and make a recommendation
for a solution
Scenario
#2 - You are an immigrant
in the photos
You have entered into a
time warp. It is now the
year 1910 and you are an
immigrant living in the
tenement houses on the Lower
East Side. Because of the
photos that Jacob Riis has
taken of your home, MTV
has contacted you to give
a tour of a room in your
home. For your television
interview you will need
to prepare by writing down
the following information.
1. Introduction of yourself
2. Briefly describe your
background and what your
life is like
3. Choose 1 - 3 photos that
show your life and your
home from these photos choose
4. Choose 4 artifacts/photos/paintings/pieces
of furniture and
• Briefly describe
each
• Explain its purpose
/ how you use it / or if
it is just purely decorative
Now that you have all this
information written down
– you need to choose
one member of the group
who will act as the tour
guide and present their
“crib” on video.
*remember on video the presenter
must be in character.
The
questions below will help
guide you in creating your
Immigrant Presentation
1.Who are you?
2. What is your life like?
What do you for money? What
is your social life like?
3. Selecting objects
a. Object #1 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
b. Object
#2 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
c. Object #3 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
d. Object #4 __________________________
Describe its appearance,
What is its
purpose?
How does
it reflect your lifestyle?
If you are a reporter, what
is your recommendation to
alleviate or change conditions
under which the inhabitants
of the Lower East Side live?
Student
Rubric
Historical Role Play : Rockefeller
- MTV tour
Teacher Name:
Student Name: ________________________________________
CATEGORY 4 3 2 1
Historical
Accuracy:
All historical information
appeared to be accurate
and in chronological order.
Almost all historical information
appeared to be accurate
and in chronological order.
Most of the historical information
was accurate and in chronological
order.
Very little of the historical
information was accurate
and/or in chronological
order.
Role:
Point-of-view, arguments,
and solutions proposed were
consistently in character.
Point-of-view, arguments,
and solutions proposed were
often in character.
Point-of-view, arguments,
and solutions proposed were
sometimes in character.
Point-of-view, arguments,
and solutions proposed were
rarely in character.
Knowledge
gained:
Can clearly explain several
ways in which his character
"saw" things differently
than other characters and
can clearly explain why.
Can clearly explain several
ways in which his character
"saw" things differently
than other characters.
Can clearly explain one
way in which his character
"saw" things differently
than other characters.
Cannot explain one way in
which his character "saw"
things differently than
other characters.
Required
Elements:
Student included more information
than was required.
Student included all information
that was required.
Student included most information
that was required.
Student included less information
than was required.
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